afterworld
1話3分、120話というのが新しい。静的なCGも新鮮。
kidnapped(AXN)(NBC / video)
sitepal MAX Headroomを憶いだした。
ドラマがシステムルーチンとしての効率を追求し、持続可能に分解したタスクとして断片を紡ぐとき、終わりの無い形態に落ち着く。
Notorious
The Haunting In Connecticut
Christmas On Mars: the Flaming Lips
Valkyrie
Splinter
Pride and Glory
max payne
Ballast
Max Headroom talks ‘macho’
Winで、google chrome BETAを試すととてもよろしい。
-The Mississippi Delta in winter is a cold and austere flatscape – almost lunar. Vast cotton acreages are fallow and devoid of human activity. The flatness is interrupted only by occasional hardwood outcroppings, which are grey and leafless. The skies are steel and saturated with rain. There is an energetic resonance in the Delta that moves me, especially in the winter. It is something that I cannot easily articulate but has to do with a sense of sorrow, and the dignity of endurance in the face of sorrow. It’s quite palpable. I have twice attempted to create a narrative with the primary objective of conveying some essence of this fundamentally tonal phenomenon. I aborted the first attempt because I was clearly missing the mark. “Ballast” is the second attempt. I’m hopeful that some of this tone has been conveyed with this iteration.
Success as a filmmaker probably has something to do with being restless and dissatisfied and perpetually interested in peeling away one more layer to get a little closer to some essential human truth. That would also be my goal.
-Lance Hammer(1967~) / Ballast (2007) Quotation on page
なかなか美しい目的意識。
